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The third panel threatens redundancy - a closer close-up, or an extreme close-up would be better, I think, to make the blunt finish in the forth panel seem even more blunt. And I think it would be good form to keep the focus on the silhouette of at least one gnome, so that it can be immediately associated with what follows.
This is not something I have any experience with or have aptitude for. But now that the inking is getting decent and I'm thinking about storytelling more, I'm starting to see how hard it is to tell the story visually. I'm learning to appreciate the logic in the paneling of those who do it well. The picture has to mean something - it can't just be a place to put in words.
If you watch a daytime soap opera without the sound (like when your waiting for a car repair) you can't tell what's going on from what you see. It's all talk. Very little visual communication of the script. TV in general is like that compared to Cinema (except for the A-Team).
Visual communication is becoming my new bug-a-boo.